Day 25 - 100 Day Project

Day 25 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Day 25!! I can't believe I've made it but to be perfectly honest, it hasn't been that hard at all like I thought. I guess when you really are enjoying yourself, you DO IT! What a revelation!

This one again, trying new things but it was scary for 95% of painting this. I was thinking "THIS is what's going up for the 25th one?" Yes, we all psyche ourselves out. The second that you want or intend this to be a "great" painting, it sucks big time. So it was going pretty down hill for a while, super ugly! But I think it turned out ok in the end. . . . but even if it was pretty bad, the agreement with myself was to put up the entire process because that's what this is all about. Experimenting, getting back into painting, and putting all of it up - no matter how I personally feel about it. Crap and all! :)

 

25 DAYS! A milestone so far

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I've made it through 25 days so far! I thought at first, "can I really do this?" But the secret is to set yourself a goal that is manageable. My life is so busy right now with work full time and trying to spend every moment I can with my 18-month old son. But I have been thinking of getting back into painting for months and months now. And to do a challenge like this you simply must be consistent.

But I'm thrilled with myself! I love it! And of course you are hoping that you will and that it's not an overwhelming challenge but this is perfect timing for me. Just to be able to have "something" that is getting me to paint everyday is a breath of fresh air. I feel better. All throughout each day, it's my own meditation. And I know I'm putting out there into the Universe that I intend to do this and make this a priority in my life just like caring for my son. Work I have to do unfortunately! But painting and my son are top priorities. And who knows what will come my way with art, but at least I'm doing the work now.

So far though, it's been interesting to set myself some limitations. Each painting is completed within 20 minutes. This includes (most often) drying time. And drying time I'm not used to forcing with each layer -- I literally just dry with my hair dryer. So here's couple things I have noticed:

• 20 minutes is really perfect time because you are forced to make quick decisions and move on

• Frustrating to wait for things to dry - but also forces you to move on

• You are forced to just "start" and then forced to "end" it! whether you like it or not! :)

• Within the time slot, more often as you practice, your intuition completely takes over. You cannot really think a lot because you are moving fast! But you are more likely to try new things and be surprised by them.

• Teaches you to definitely not fear the "blank" paper or canvas or whatever. You just have to GO!

• Different decisions like starting with white paper, or designed paper, or pastel paper, you are "reacting" to what's in front of you from the start. It's great to change it up becuase you are starting from different decisions then always white paper which is generally what people think is expected. But it helps to challenge your brain a little bit, you are mentally looking for slightly different strategies to keep your interest and then the direct effect is that it will be new. So you will try new techniques or tactics in your paintings.

• Oftentimes, my "go-to" techniques involve lots of water dabbling and pooling of paint with water. But with these 20 minutes paintings I literally just cannot wait for things to pool and dry on their own. So I have to loose a lot of those pools of paint that I love. Instead I have used a lot of paper towels to "dabble" away the excess water/paint pools. That in itself is a newer technique for me to always be my "go-to." I also like to stamp the left over throughout the painting too which gives another effect. So it's good even though it's not preferable to me, I'm still doing something different then I'm used to.

• Using different type of paint is always fun. Mainly use Acrylic but have fallen in love with Annie Sloan's paint as well. IT is chalky, pastel paint that is super easy to work with. You can make it opaque but also transparent with just a little bit of water. And it's very easy to dry.

• 20 minute paintings every day really does teach you to detach from you artwork. It sounds strange, but you have to detach in order to just get it out and move on. Already looking at these 25 pieces, I literally forget "oh yeah I did that one!" And looking back I may like one or not like one at all. But it doesn't matter. It's just a record of my decisions that one day.

• Again, many are not good. But that's awesome! It's identical to practicing an instrument, you practice and practice and goof up and mess up your notes or your fingers on the piano and you just do it over. And sometimes things just flow out but most often it's more of a struggle perhaps. But you are practicing! Only difference is that you have a physical record of these practice sessions verses music where the audience doesn't hear your practiced mistakes when you perform at a recital.

• I realize I understand now why the Yale Professor started this project for his art students (which is where Elle Luna got the idea for herself and to start this campaign). It's awesome for newbies especially to just paint, paint, paint, paint. Get used to painting. Get used to the materials, the process, and to learn about yourself. But it's been perfect timing like I said before for myself, to get back into the habit of painting.

Ok what will 50, 75, and 100 bring? Can't wait!

Day 24 - 100 Day Project

Day 24 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

Click here for official webpage.

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Really into pastels in the past couple ones here. But had fun cause for most of it I used my fingers - yeah that's right! Instead of a brush, used my fingertips to dabble and paint so that gives a different texture.

Day 23 - 100 Day Project

Day 23 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Wow this one did not flow easily this morning! This is what happens when you get a tiny bit "attached" because I started to like the beginning of this sketch but then completely overworked it. And then tried to save it. The time flew by and the timer went off and I was like "ahhhhh!" So I tried to save it with just a minute or two over. It also was not vertical until the very last minute. I worked on it the entire time landscape with the painting on the right. It's not great. I like some parts of it but overall not digging it. But that's ok. Part of the process!

April reflections - renewal springtime

IMG_1985 Thinking of all the people I love in my life right now. My heart goes out to my young niece who is getting extra special love this week. You are so loved. You are so cherished. You are so beautiful. You are so courageous and strong. Going through tough, tough times right now.

Thinking of my dad who has been in the hospital for over two weeks and came home earlier this past week. He is soooo courageous! Ironically, he has major heart issues (all his life) but he has the sweetest, kindest heart of all of us. We LOVE you!

Thinking of how this new year looked so different just three months ago. Letting go of a business that was supposed to happen these last 2.5 years has been very challenging.

And finally, thinking of my extended family through my husband's side. So much change in the past several months - change that none of them (me included) has ever wanted. Change that involves other people that I cannot seem to love or forgive right now because it all is hurting my husband and my sister and brother-in-law. Change that profoundly effects the trajectory of all of our lives.

But love is all that matters in each case--the first two situations, it is easier to love my niece, love my sister, love my dad, etc. Much more difficult to love and think well of the change that so effects us personally in our lives. But it is an opportunity to love more, forgive those and yourself and do the best that we can individually. "We cannot possess another person," as Quinny puts it in the Larkrise to Candleford BBC TV series. But there is a great fundamental shift that's happening in my husband's and mine's life right now, a huge change. Closure. Closure for my business I thought that I would have started by now is finalized this week. Closure for my husband's family. Moving on.

I've been thinking about the word, "renewal" the past couple of weeks, associated so much with springtime. Birds chirping, bunnies hopping, dog-walking, trees budding, finally sunshine and forwarding the clocks are all imagery that we are familiar with around this time. Descriptions like fresh, lovely, bright, cheery, and clean. It coming alive again, waking up after winter time, looking forward with anticipation of summer, good times and a relaxed, sun-drenched atmosphere.

But reflecting where I am right now, my life is far from cheery, bright and fresh (except when in the presence of my 18-month old son!). It has been interesting to look up what springtime means in Chinese medicine because as I read some of the insights, I realize that yes, that sounds more like my own experience right now.

Apparently the element associated with this time is Wood.

The power of Wood is gentle, persistent, and filled with creative potential. It has the power of both being and becoming—of being true to your own nature and becoming more yourself by clearly expressing your inner needs and desires. Wood gently penetrates the earth to bring forth water, the source of all life.  Drawing from our roots, we find the energy to push forward with strength and firmness of purpose, always remaining supple, yielding, and true to our nature.

I love how this passage above implies that growing is hard. We often think of all the new plants and infant buds that just "pop" out overnight and voila! there they are! But no, this is a reminder that for weeks, the growth has been happening slowly, consistently, underneath the earth or within the tree or bush itself, and even though we happen to witness the exact moment the bud bursts forth from it's stem, it took a great deal of energy and work for this to happen.

Then reading about the emotion associated with Wood was eye-opening for me.

The emotion associated with the element of Wood is anger. In its balanced state, anger can be a healthy emotion, for it can be understood as a natural reaction to stress, frustration, or injustice. When expressed with careful control, anger acts like a thunderstorm that clears the air; controlled anger can dispel tension and restore balance. An imbalance in Wood, however, often has the quality of out-of-control anger, and results either in excess or depletion. An excess, or pent-up quality of Wood, expresses itself as “quick to anger,” prone to volatile outbursts, irritability, and the tendency to judge others too quickly or harshly. The converse, deficient Wood, often expresses itself as difficulty dealing with anger at all. Swallowing your anger, you become anxious, irritable, and tend to blame yourself when things go wrong.

I've never really thought about anger being a healthy emotion. It is so often in Western culture, especially among women, it is not a "natural" state at all but one that is unladylike and crude. If we, as women, get angry, we are emotional (which in our culture is a negative association even though the actual definition is simply, "one who appeals to his or her emotions"). It actually can be associated with ugliness--we are ugly women who are angry. And we're told to "simmer down," or asked "Is this your time of the month?" etc.

I certainly have been angry the past couple months and frustrated for sure. I never thought about anger being a healthy emotion that "acts like a thunderstorm that clears the air." I can certainly see why men have more leeway with anger then women do in our culture. My husband's responses to these challenges have certainly been more anger than my "brooding" but it definitely helps to let it go quicker for him. But prolonging anger makes us "quick to judge others harshly, anxiousness, irritable," I have definitely felt those emotions too--for far too long I realize.

And how do you process all this anger this springtime? Amazingly, our body has given us a clue to how to deal with and process all of these emotions in a healthy way. Apparently the organ most associated with this time is the liver. The liver is an amazing organ, essentially performing hundreds of "essential functions, including the formation of blood and the cleansing and filtering of the blood to help the body eliminate toxins and ensure its continued vitality." Cleansing the toxins is an important step in order for us to literally grow, mature and develop like the spring bud. Letting go of old resentments and grudges prevents the natural energy of the liver to function in a healthy way. We have millions of ways to remind us that it is forgiveness that is not for that person or people or event, etc. It is for yourself.

Forgiveness. Forgiveness. Forgiveness. That's what I need to be focusing all my energy on so that I can grow more. That is what is the solution to all of this. Again, not for anyone else, but for myself.

 

Day 22 - 100 Day Project

Day 22 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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This one I started with charcoal (closest to black) house paint just dripping and then built out from there. I seemed to keep it horizontal the entire time - it was working for me as I was doing it and then when finished too. You can see that with the pastel paper, I fold and tear a larger sheet in half and it creates a skinnier, "taller" dimensions then regular 8x11 paper obviously. So experimenting just slightly - you would think it doesn't matter, but dimensions of the canvas or paper or whatever you are working with does matter. For these pieces on pastel paper, there is slightly more space to work with even though it's "skinnier."

Day 20 - 100 Day Project

Day 20 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Loving the change-up to pastel paper! this one and the next Day 21 came out in way less time then 20 minutes. Having fun with pastel mark-making too, definiately brings a more delicate look to each painting.

Day 19 - 100 Day Project

Day 19 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

Click here for official webpage.

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Last night I felt like a different paper this time. Maybe for a while I'll work on some pastel paper. But it's nice to change up for different backgrounds because again, you start from an entirely different "place" then when you have a blank white piece of paper in front of you. And the texture of pastel is fun plus using actual pastels is fun too. You can't see a lot of it here but I did start with pastels and then worked in the paint. Perhaps for another piece I'll use pastels more.

Day 18 - 100 Day Project

Day 18 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Today inspired by one of my son's drawings from school . . . he's 18 months. :) I just love his artwork. And I didn't even do what I wanted to do - which was completely copy him. I will show his artwork when I find it (I think it's still in the car!) but I save as much as I can right now for fun. But this one struck me particularly because he had completely scribbled on the bottom-left of the construction page completely off the page. Nothing else was anywhere but broad, scribbled strokes off the page. I LOVE it! He doesn't even know it but using the edge like that is very compelling and striking. I tried to do it here but still not well enough. Perhaps tomorrow I will feel another attempt.

New favorite paint - Annie Sloan

Annie Sloan Chalk Paint After testing out Annie Sloan's chalk paint, I want more! Totally have fallen in love. It's a great consistency for painting. Obviously, the paint is designed for redecorating and refurbishing furniture, floors, walls, etc., anything decorative and in your house (lamps, book covers, etc.). It is nontoxic, completely flexible enough to use right out of the can or water it down with some water, etc.

But my favorite thing are the colors. I do not like to mix colors cause I'm just too darn impatient. It's weird I know but I tend to paint fast and like to just grab paints out of the bottle. Occasionally if I have a specific color in mind I will take the time to mix. But I absolutely LOVE all thing British and their color schemes are no exception. I've oftentimes taken the color samples from Farrow-Ball to Lowes to create the paint colors. For example, the Brits have just such beautiful gray colors. I feel like the US has warmer gray colors or darker. Brits have such a beautiful, soft, cool gray - probably inspired by a lot of cloudy days actually! But Annie Sloan's paints are awesome. You can mix them together to make new colors. But also there are a lot of neutrals that I can just get right out of the bottle. (For example the gray used to calm down this painting in my 100 Day Project sketch). I can only afford 1 quart right now which is "Cream" that I'm working on for my new painting series. But I can't WAIT till I can afford more. Lovely! :)

Tip - be on the lookout for other materials that you wouldn't necessarily think are related to painting but it is! Test them because all paint is different consistency. Advised to stay away from all oil-based paints because they are very hard to work with, they cannot be used for the first layer because if you put water-based layer on top of oil, the oil will corrode the water-based layer - unless you want to experiment with that!). But waiting for oil to dry is a drag (could take days), and it's messy, toxic and you have to do a lot of clean-up (check local and national requirements on disposal of oil-based painting products, etc. because there's a lot now a days). Water-based or "Acrylic-based" paints are much better for you, and much easier to work with.

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Day 17 - 100 Day Project

Day 17 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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This one ended up looking very "flowery" and "foliage-like." I tried to slow down a bit and make more deliberate choices. But the "waiting" for drying time is my most irritating aspect of this challenge. I move quickly but I like to leave the water to pool to dry on it's own - creates all this fun and cool things that I could never create on my own. But because of time, I have to mostly "blot" those areas out so that I can move on.

Day 13 - 100 Day Project

Day 13 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Little late with my posts today! Technical difficulties when internet went down last night. Still have to catch up to Day 15 but I will finish those posts tonight.

Process 4.10.15_Happy Accidents!

IMG_4106 IMG_4107 Accidental marks and blobs and whatever are just a part of the painting process. Yes you can get tight, detailed and very controlled painting. But "freestyle painting" I guess it has been referred to today, means to me, free, loose, natural, organic, and barely controlled. I LOVE accidents! And you have to be totally OK with stuff going wrong. Just like raising a kid - this paint combo between tool and paint just has a mind of it's own. And your job is to roll with the unexpected and make that "accident" work for you.

The above images clearly show that as I was using a rubber patterned roller, because the paint's thickness is slippery, and the fact that the paper is not great for this kind of technique (really I should be doing this on fabric or the wall!), the roller literally slipped with the paint and smeared all over the place. The top image shows smearing top-left to the right-down areas. In this second image above, right in the middle you can see those flowers are not crisp at all! Totally smeared and blending into one another. But that's the beauty of it! It's not perfect. I'm not trying to render a beautiful pattern (although that is what these rubber rollers are meant to do of course). I love the "suggested" patterned effect. It also makes it visually more interesting, the eye is challenged and stimulated by the irregularities, and is surprised (perhaps annoyed but that is ok too) of the slight variations and always a joy to disrupt what is "expected" for the viewer. It also suggests some kind of worn, vintage look. Things eroding falling away, not perfect.  IMG_4109 This is even more obvious in the painting above. I did not "properly" even out the paint in the roller so it blobbed on in uneven marks. Super gloppy and then super faint. But still suggesting some kind of pattern and uniformity that I think is quite interesting.

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And finally, the above image show that as I was completely running out of paint, rolling it over and over onto the canvas, the pattern completely disappeared leaving random, almost brush-like strokes reminiscent of a Gerald Richter painting abstract painting. An effect I totally couldn't have possibly come up with in my head! Proof you have to try and try and experiment. Roll with it. I'm never disappointed so you have to open your mind and let yourself turn those "mistakes" into those precious parts of the painting that is UNIQUE, special, one-of-a-kind, different, unexpected and beautiful.

 

 

Day 12 - 100 Day Project

Day 12 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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I must admit I had to work a little over my 20 minutes with this one because of so many layering and lot of drying (for paint to dry!). I feel like this one is a little "odd" - I started with the dark patterned background and knew that I needed to paint over a lot of it to keep it from getting overly busy. The pattern itself is real pretty but because of the darkness and bright colors, it's very "eye-catching."

So I started working through some painting elements and colors. I knew I wanted to try the circle idea and blocking out sections of the background. Towards the end though, it started looking like 4-5 big blobs like a "figure" and just didn't like that. So breaking up the circle shapes was crucial as well as experimenting with the tape. I had to move things around quite a bit because it was still looking like "arms." Then . . . I flip it around (I will write a post coming soon about importance of rotating your canvas or whatever!!). And voila! Definitely preferred the landscape version.

Again tape is adding some weird element to me. It's a forced element something I don't have that much control over. It's a fantastic exercise to "make it work" with the geometric fixed shape, deeling with what's below when you peel it up to reveal that rectangle and then where you put the tape because it has all these other elements confined in that space. It's really fun. So had to take a little bit more time to figure out what was working for me.

The weird thing about this idea is that you need to keep the viewer's "interest," but also feel like it's "ok" for you. If you absolutely hate it then by all means, paint over or whatever. But there's this space between feeling uncomfortable and "ok" with what's happening visually that adds interest without being too "off." there are no rules of course in this way. But sometimes you want symmetry, my work is always asymmetrical. But there is a sense of "balance" but not too much. There's space for the eye and more complicated areas. As you get better at painting and balancing these elements you start to understand what is working for you. It's the "gray" area that's hard to explain.

For example, anyone can make chocolate chip cookies right? But one of my best friends when she makes them, they are just . . . .SOOOOOO GOOOD! Delicious! beyond The little nuances that she has developed in her process when making them start to be intuitive and they are hard to explain or write down step-by-step. It's just her style of cooking and the process when making her cookies - she may feel the oven should be at 365 rather than 350. That she cook for 11 minutes instead of 10. That she only beats in the wet ingredients to the dry 44 strokes with her wooden spoon, or that she uses extra vanilla, the dark brown sugar instead of just brown, and the real high quality chips like Ghirardelli's or something etc. But it's the way in which she combines all those little things into her process that makes her cookies special verses mine. Mine are ALWAYS flat as pancakes. I don't get it! But I probably should experiment and test more like my friend to discover the little things that make it work for me.

Painting is all about this process. And so many people (especially newbies getting started) fret and stress out over the END result of what the painting should look like. It's just like life or like anything, you miss what's on the way!

tips & tricks #1 - Japanese Paper

Tips & Tricks - Japanese Paper Tips & Tricks - Japanese Paper One of my favorite techniques has always been to use Japanese paper. Now there's a lot of different variations of this type of paper and I am now looking for variations on the paper that I currently have because it's not available anymore from the vendor I used to get printmaking paper. But the kind that I love using right now is very airy, soft, super delicate, transparent, handmade and easily can tear etc. So stay tuned because I have to experiment pretty soon here with different kinds and I'm not sure I can find the kind that I love pictured here! But oh well. Have to move on! But I have always loved to draw over this type of paper and then to paste the paper itself into my paintings as these soft layers that give this beautiful translucent effects. You can control how "translucent" you let the paper get when you apply a basic medium to "glue" it to any painting surface. Add more water and it becomes more transparent.

I also highly recommend using your own photos. Here I have photo of flowers I took in England and I liked the composition enough to just play on top. I loosely drew my flowery sketches not caring at all if they were "exact." It's just a reference.

If you use other images, make sure they are general, like general patterns or other neutral imagery so you don't get into any issues with copying other people's stuff if you want to sell this painting. But it's really more fun to use your own stuff and get inspiration from yourself.

But the effect creates a loose, sketchy look like you really did draw onto the painting surface but also includes some kind of layered effect. Experiment with different paper and all different kinds of colors of pens, pencils, charcoal you name it. Sky's the limit!

In this series below you can see where I applied this effect.