Day 40 - 100 Day Project

Day 40 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Going different direction for a bit - wanting to do this for a while. But made sketches from a friend's photographs of Scotland. I love the UK and would give anything to go hike the Scottish highlands so it's a lifelong dream of mine to go there. Of course this one is abstracted but this one and Day 41 are definitely freeing me up to look at the negative space (the suggestion of the "lake") and suggest landscape instead of floral arrangements. Always trying something new is fun for a bit!

Day 39 - 100 Day Project

Day 39 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Having fun with this one with texture. Playing with the white paint squeezing straight out of the tube. Lovely effect! I just wish I had foreseen this and not done it on such thin pastel paper - oh well! But really fun to get into the texture again. That's why I miss oils which is SO easy to do with oils.

Day 38 - 100 Day Project

Day 38 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

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Not digging this one at all! It's really awkward! I like some of the stuff that's happening but I deliberately chose a floral arrangement that was much more symmetrical - little off balance but had a beautiful "S" curve with the little yellow flowers kind of sitting in a bowl, etc. Of course I just dislike so much symmetry so at the end I had to make the background green not just a circle but spill out to the side there. But the "S" got out of control. Of course I would love more negative space/background around the area but it just go so overworked. Not the greatest. But again - it's OK! It's just practice and good to push yourself! :)

 

Day 37 - 100 Day Project

Day 37 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

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Again not really liking this series - it's ok. I know I'm referencing floral bouquets and that translating that composition is interesting. But pracicing what I'm preaching, it's a little too literal for me. But it's good to try to be reminded of how to possible translate something from a photo and be expressive and/or more abstract in it's interpretation. I also love the photographs are really well spaced - there's a lot of negative space around the floral arrangement and that design sense in me is loving that part. But it's harder for me to replicate that in these small spaces for the paintings. I also feel like in the mornings now, it's not as free-flowing - my energy seems to overwork everything!

But it's great to be aware of how your energy flows and what works for you - it may shift and change per day, per week but being aware is also half the battle.

 

Tips & Tricks #3 - Drips

Drips 1    Drips 4 Drips 3 Drips 2 Believe it or not, but drips are actually an intentional strategy in painting. Drips have a loaded history - directly references Jackson Pollock when he shocked the world with his absolute abstract expressionism in the early 1950's. Today in contemporary art, "drips" are actually a "thing of the past" so to speak - most often referencing this type of painting and this era of "Abstract Expressionism" so it might be helpful to be aware of the context of using them but it's not necessary obviously. Only in the academic circles does this stuff get analyzed to grainier level!

But I will add that when I was at the Painting's Edge Idyllwild Residency lead by Roland Reiss in the summer of 2008, I had a critique with the famous Pat Steir. One of my paintings that we were looking at in my portfolio I had turned "sideways" so that the drips were going "horizontal." She actually looked straight at me (she was well over 75 at the time - so she had been the generation following Pollock, etc.) and said "Drips are gravity, you should never have the drips go sideways that's just not done. You should rotate so the drips go "down." Important stuff! :)

In this painting above, the drips have become an integral part of the overall aesthetic. It looks almost like "stems" from some floral arrangement. I haven't finished this painting yet - still in progress but so far, I plan to keep most of the "drips" towards the bottom of the painting. With this painting, it also is practical. The painting is pretty large (4 feet x 6 feet) and it is on panel so it's actually difficult to put on the floor so this easy and most practical thing is to keep it leaning against the wall to paint. So in this way, the paint drips are inevitable. But I haven't worked with drips in a while, so I think the effect is lovely. The drips here are very straight-forward, used only with water.  You can use matte mediums and gels to get "slower" drips that build up from the surface too.

Drips 5 Drips 6 Drips 7

These drips in this painting are starting to look very much like series of "line" and the line quality, even though random, is really quite lovely as well. But who knows what the finished will look like. This is another example of practicality - this piece is a large paper piece and there is no way right now in my studio, that I can put any of it on the floor. But I LOVE the bottom - probably will try to keep most of it, the random drips, drops and lines that are all completely accidental!

Day 36 - 100 Day Project

Day 36 - 100 Day Project Follow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject

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Ok flowery bouquet-looking one from that wreath book. I think I'll be working with this for a little bit until I get bored too. But it's making me realize that I need to start practicing what I preach - I might start working on some sketches for exercises that I need to post! The book is perfect to show how you can translate imagery into more abstract forms and play with those, using the book/photography as references only.

 

Finding inspiration in Wreath-making

IMG_3871 IMG_3872 IMG_3873 IMG_3874 IMG_3875Such a beautiful book! Today I'm feeling quite bored actually with my 100 Day Project - I'm only on day 35. So far it's just been sooooo good to get back into the swing of painting. Things have just poured out of me for this past month. But now I'm starting to get bored with the limitations of this kind of painting. I cannot take my time or really think that much with this kind of sketching. So I must push myself and experiment more - getting more and more "uncomfortable" - practicing what you preach yes?! This blog is just the daily reminder of what I need to hear and think about. And I happen to share with the 4 people on my subscriber list! :) When I get into these spells, I slow down the painting process and then feel like cleaning up my studio and re-organizing. It's just part of the whole process and I trust it now. I go inward and start to retreat to think and just sit with stuff. Ideally in my masters' programs, I would start to look for inspiration everywhere and anywhere. And just be in reflection, quiet mode until something kind of sparked and initial - ok let's try this!

But I do not have the time here. And while picking up stuff I happened  upon this book again, The Wreath Recipe, that was given to us for free to all the participants of the 2015 Alt Summit conference in Salt Lake City (if you've ever heard of this conference it is AMAZING!). But when I got this book I thumbed through marveling at the stunning photographs and even more strikingly beautiful compositions of these wreaths. I knew I would never do any of them - this is an instructional book showing how you can make your own beautiful wreaths throughout the year. I knew I would never do this sadly because I'm just not a "crafty" type of person. I'm also pretty lazy and I HATE HATE HATE following instructions - like . . . that's one of my biggest peeves. Whatever. BUT I knew I would of course keep this book when I thought of the compositions.

Well I found it again this weekend. And so my post for Day 35 is in reference to this photo of a beautiful staging of sweet pea flowers. I love the simplicity, the soft colors and the shockingly bright fushia of the little flowers underneath. I also appreciate the vast spaciness of the gray background - my graphic design coming into influence here which I yearn for in my paintings but never seem to force myself to do - perhaps I should for fun.

But my point is that you can find virtually anything to be an inspiration to you. But I love that I didn't recreate this photo literally. It's to reference - I might do a couple of these paintings in reference to this photograph. Take some of the elements of the form, the line, the colors and practice translating it into abstract shapes. Yes my Day 35 painting is reminiscent of floral or organic shapes. But all my paintings reference this - ESP in my 100 day project series so far. Not all my paintings feel so botanical but almost all my paintings so far are organic.

So have it! Look around your world and just note what's inspiring to you - what just makes you pause. You aren't looking to render it at all. But using it for reference to start your own work.

IMG_3876 IMG_3877

Day 35 - 100 Day Project

Day 35 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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To be honest I'm starting to get a little bored now and I'm barely 1/3 of the way through! Doing fine so far but now I'm kind of staring at my pieces of paper - what to do what to do. This one is an experiment and I realize that I must start to push myself - failure will happen and even for me I need to start feeling more and more "uncomfortable" again to see what happens. It's inevitable, or boredom sets in - which is death. So change has to be the norm, just like in life.

I wanted to reference a floral arrangement more - probably in a nod to Mother's Day today (which was a very happy and good day for our family!). I was also inspired by this Wreath book, writing a post here.

The bright blobs of red paint were NOT intentional and definitely an accident when this entire enormous blob spit right out of the tube after (of course!) several attempts to gently coaxing a few drops from the bottle, an air bubble just spat this entire thing out! I couldn't decide what to do, whether to leave it or work with it or scrap it off. I decided to work with it - and I like the texture (I'm missing the heavy, creamy texture of oils - haven't worked with oils in years for obvious toxic and clean-up reasons but that's what I miss the most). It was fine - way too much paint to begin with but yet another example of working within the accident that you're not crazy about!

a mother's love is steadfast and true

LGMother's Day! My entire life I never really ever thought of Mother's Day. We didn't celebrate a lot of holidays in our family. And Mother's Day was just an excuse to go to a nice dinner. Looking back now, I can see that my family growing up has been much more sentimental then my husband's family (who's native language, sarcasm, was an abrupt learning curve for me in my early years of dating my husband). We also made the obvious conclusion that my family has been full of . . . girls. In fact, looking back into my mom's family history, it's quite depressing that most of the men, generation after generation, left their wives and children either from alcohol, depression or just died. The women outlived their husbands, brothers and fathers by decades. I have an older sister, girl cousins, only aunts growing up that I knew and for the past 2 decades, visited my Grandmothers, Grandfathers passed away already. I even have 2 nieces--my sister has 2 girls.

My poor dad, my sister and I joke now, how did he do it?! Without any male influence or camaraderie my entire life, I never knew what that might mean until I met my husband and now look back at over 19 years of my life spent with his family. He has both a brother and a sister, boy and girl cousins, and grew up with a very strong male presence -- his dad was a very involved father, a grandfather he knew and uncles that were just like his dad - all the joking, the stores, the teasing and the sarcastic remarks! It was a rude awakening -- this new male world was full of farts, belches, crude jokes and ruthless sarcastic teasing.

But I knew, that weird mother's intuition, that I would have a son one day. And for the 3 years before I even got pregnant, I felt a boy's presence whenever I thought of becoming a mom. I just knew he was out there and I just needed to pray for the best timing to finally meet him.

But when it was actually "official" that I was pregnant with a boy, it still was a little eerie. My side of the family was ecstatic! A new adventure! But could I really raise a son? I had no mentor, no woman in my family that knew anything about raising a boy. And the one person that I could have related to (my mother-in-law), she passed away two years before. That would've been such a fun experience to hear all of her stories because she was a mother from a girl family too.

Now going back to my side of the family, we don't share a lot of holiday traditions really or make a huge deal of birthdays or whatever. But what we seem to always do is find the most sentimental Hallmark-y that oozes super touch-feeley, gushy and over-the-top romantics that my husband just balks at like a 10 year old "ewwwww!"

So to be perfectly honest, I felt it was always a bit much until . . . I became a mother. Ah . . . I GET IT. TOTALLY and COMPLETELY. Nothing can put into words what it is actually like to be a mom. And nothing can allow me to articulate clearly how much I love my little boy. He is the light of my life, now and forever. It will never change I know that. I know he makes me crazy - even today, he was not the "angel" that is always is, driving me nuts at dinner, throwing spoons, crying, just learning the word, "no! no . . . noooooo . . . . !" But he gives me his "kissy" and now is just learning, "p-e-e-s-e?" melts your heart a million times over.

Therefore, the cards that I've chosen for my own mom I now finally really get. It's the chance to say the un-sayable, to attempt to say how much mothers mean to us - a little more then just "I love you," although that is important to say more too. The depth of love that mothers walk around with in their hearts, the unfailing openness, acceptance and confidence in their children, even in the face of hurt, pain or worry. I never realized when my sister always complained of worrying all the time about her kids (obviously she still does cause the oldest one now is 16, the youngest is 10 - my mom says it never stops!), it takes SO MUCH ENERGY! But even more so, the amount of absolute unconditional love that mothers have is 100x stronger than the worry and pain, takes a lot of energy too but it is worth it - so worth it.

So I must just pause and take this moment to reflect on my life as a new mother (last year was my first year experiencing Mother's Day but my son was about 7 months old, so it was still a big whirl!), and all I feel is such a great privilege to have this special time with my son. It goes by in a blink of an eye. But all I feel is such gratitude, giving me the chance to be his mother.

And just to note, my absolutely unromantic and unsentimental husband pulled a fast one on me last year, giving me two-dozen roses, balloons and an awesome brunch with chocolate strawberries for dessert. I was surprised by the thoroughness of his planning since we don't do anything for each other anymore (I know it's pretty bad actually). But his response to going "overboard" for him was, "Hey. I believe in giving when well deserved, and being a mom is all about going 150% 24/7 - you work your ass off! I think that's worth a rose or two. . . . " That ladies and gentlemen is about as sentimental as my husband will get! But I believe every word of it! :)

To my mom, it is true, the more you grow older, the more you realize your parents are just people to, the more you forgive and the more you understand them, sympathize with them and remark on just how special they are to be your parents now that you understand what they went through for the past 30 years. Sincerely love you and grateful that you are my mom.

To my mother-in-law -- God we miss you! But you were to me one of those rare best friends in the end. I wish I had been even more open and honest with you. I wish I could hear your stories now that I am experiencing motherhood. But the time we had together was so very special and you were to me a second mom in so many ways.

To my sister -- you are incredible. I have no idea why your life has been so much more challenging than mine it would seem. But the boundless love and sincere empathy for humanity is astounding. You give of yourself so completely (sometimes without necessary boundaries - that's where I come in! :) but it is truly such an honor to have you as my sister. Your infinite love for your daughters is the foundation of your life and theirs. They know it, even when they seem to go through their challenges too, it is always, always there.

Day 32 - 100 Day Project

Day 32 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Little late then never! Posts to catch up from the weekend here. I actually did do Day 32 on time and posted in Instagram. But haven't felt that good past few days. So now I'm actually catching up while Grant is finally having one of his marathon-naps - love that! you feel so productive.

Day 31 - 100 Day Project

Day 31 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Finally found my square found paper - thank God! Getting a little bored, have to find something kind of "new" to look forward to. It took me while to get started cause feeling the itch this morning to do something new but I don't have that much time to just sit and think and go through my mess of a basement. When I feel this way I often feel like cleaning up and reorganizing and then going through my files and stuff to remember what I've collected along the way to use. but just don't have time!

Just to note - worked on this piece 180 degrees for the entire thing, then at the last minute thought this orientation was better.

I also have some "tips & tricks" info on this one, frantically trying to take photos as I'm working -- which is hard because I tend to work very fast and to stop and take a photo, multi-tasking, breaks the "rhythm." but this one was OK. In danger of getting overworked again but that's fine. Notice? LOVE my GRAY!

Tips & Tricks #2 - Blotting

Dabble 1 Dabble 2 Don't forget a great "technique" which is blotting. Since working on the 100 Day project, I don't have my usual time to just let things "dry out." So I have been drying as much as I can (which is only like 30 seconds!) with a hair dryer and then blotting what would've take a while to dry on it's own. You can blot with anything - obviously the quickest is just a paper towel. But any cloth or something that will absorb some of the paint and then what happens at least with the paper towel is that it "grabs" and lifts some of the paint and then blotting back into the painting puts that left over paint back into the painting. The effect is definitely just another fun technique. It also softens some of the paint.

But don't forget to experiment with different kinds of paint. In this piece (Day 31 of the 100 Day Project), I deliberately started with the thicker Annie Sloan chalk paint and decided it was too thick and began blotting it out. It lifted the paint so it wasn't in just thick globs.

Pour paint 1Pour paint 2 IMG_3810You can also drop in paint from the tube right into your painting and force yourself to work with it as well. With this though, the orange was just too strong and I wasn't feeling the "drops" so I used paper towel to blot the orange--which soften the effect. It also is a much thinner, acrylic paint (I think it was the fluid Golden paint) so by nature it will be transparent.

Day 30 - 100 Day Project

Day 30 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Neutral! I wanted this one to feel more neutral. I just LOVE this gray it's so pretty and makes everything around it so pretty. Thank you Annie Sloan!

Also am starting to feel a little bored. I put in scraps of left over cut paper (I had cut out organic shapes for an earlier piece and these were the left overs). You can do anything. It creates a sense of randomness that you couldn't fake if you tried. The pieces are awkward but to incorporate them into a piece is good for yourself and for your brain to make it work and again, it's a little uncomfortable.

Day 29 - 100 Day Project

Day 29 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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I went smaller today. You can't tell from this picture at all but I started with a cool gray PASTEL - yep that's right! I just rubbed on the side, the cool gray pastel color all over. It was interesting because it's bringing texture right away to the piece. And it was interesting to start with so much pastel at the beginning because as I applied my wet acrylic, it would "grip" literally so the push and pull of the natural dry verses wetter mediums was kind of fun to explore. So the real piece has this beautiful light cool gray color in the background that's very difficult to photograph properly with an iPhone. And working with greens are always challenging. Not sure why but they remind us so much of nature and the natural world, and perhaps because they are quite neutral in that these are "warmer" green with lots of yellow in them. But it's more challenging to go further either way to cool or warm green because green is neutral to begin with.

I remember my first college professor at Easter Illinois University - I had finished a total green piece and he said it was the ugliest thing he'd ever seen! Just because so much green was completely overwhelming. I should've left it just to see what the viewers would do but I was learning too. I wish I had more photos from that time period to show off but you know how it is, that was such a growing, learning period, you don't take a lot of the process stuff because it's so raw you, as an artist, want to forget it!

Day 28 - 100 Day Project

Day 28 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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I actually did do this yesterday but it was late so posted on Instagram but not blog. It's funny to see that this one is like "POW!" ORANGE! Orange is kind of a more challenging color obviously especially do have it as the background, need to cool it down. Orange and blue are opposites (remember color theory?!) so without intentionally do it, you subconsciously go with that color scheme because it's balancing. Orange is so "hot"/warm it's nice to play around with this kind of rusty orange background color. Again didn't know this would be landscape with this thing like "Growing" out of the bottom - I did the entire piece with it vertical. But turned it around at last minute when taking a photo and I liked it better.

Day 27 - 100 Day Project

Day 27 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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After Day 26, went right into this one for Day 27. Wanted to keep going with a larger size, getting tired of the smaller size at the moment (probably will go back but for now, I'm feeling larger size). Still having fun with edges which I'm exploring obviously in a lot of the past few days. So that's keeping me going as well for now.

Day 26 - 100 Day Project

Day 26 - 100 Day ProjectFollow me on Instagram @KathrynJNeale, #100Days20minptgs, #100DayProject Click here for official webpage.

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Yesterday I did not get to painting so today while Grant is napping, I went down with the intention to perhaps go to a larger size and go for 40 minutes and the split the painting into two for fun and a different strategy. Well, this just came out so easy this time and then I just didn't feel like it needed more. I liked the light pastel feel since sometimes my stuff can get "heavier" with brighter colors and not as neutral. I had fun with the pastels for the 1st layer so that was where a lot of the work went. Then some Annie Sloan chalk paint (love this stuff!) and lots of water to let the layering begin and the paint to kind of do it's thing with the pastel and chalk, etc. FUN.

What is "freestyle" painting?

Acrylic, ink on panel, 24x36, 2012 What is freestyle painting? Funny. I don' tknow!!  It's curious, I've never ever thought of myself as "freestyle" until writing this blog today, literally. I'm an abstract contemporary artist. That's how I'm labeled and within the art world, that is how you define yourself--a contemporary artist who paints figures, or contemporary landscape artist, or abstract geometric artist etc.

I encountered the term freestyle while looking up books on Amazon for abstract paintings. This must be a new marketing term for consumers to understand a bit more what abstraction is perhaps? Because in the academic and professional fields, I've not encountered that definition before and it's not an official definition yet in the art world. But one things for certain, it is a very general label that lumps practically everything called "art" into it.

Acrylic, found paper, ink on paper (3 panels), 18x56, 2010

For my work I don't mind using the term "freestyle" because I do think that it is starting resonate easier with those of you who want to learn this kind of style. In the art world, it would be classified as "expressive." But for my definition, I am going to define freestyle as I define my artwork: organic, abstract, contemporary, free-form, gestural, and expressive. I also will go one step further to add that freestyle painting implies finding a personal style or voice through abstract painting, at least that's the most important thing to convey to any newbie artist that wants to experiment with this kind of abstract painting.

Abstraction has over a 100-year old history. So anything "abstract" can also include all sorts of imagery within in it. During the early 20th century, budding abstract artists were painting anything that wasn't found in the "real world."

By 1950's, with Jackson Pollock who rocked the art world with all-over gestural paintings, the term expressive became identified with his style specifically, abstract expressionism. Decades after him, we've gone back and forth, reacting against Pollock's work, and then reacting against those who've reacted, and then taking that and ripping it apart and then piecing it back together, etc. (splitting up into an art historian's nightmare, how to classify 1800 different "styles?" since the 1950's?).  You could easily argue that everything since Jackson Pollock in the artwork has been a reaction against him. That the only true originality in art was Picasso and Pollock (yes, that's stretching it but he sure has had a tremendous influence on how we culturally and socially think about art).

Today, pretty much anything and everything goes, and the "interdisciplinary media," academics love to call it, emphasizes more immersion-type media like installation work, photography and video. As you can imagine, there have been endless debates for decades and decades arguing that "painting is dead" after Pollock. It just goes on and on.

So it all works.

Acrylic, mixed media on cotton tablecloth, 70x179cm, 2011

My latest series of artwork is mostly abstract, although I reference floral patterns and stylized imagery and even sometimes have inserted bits and pieces of photographs of flowers or trees or forest imagery into my paintings (especially experimenting with my master's work). I love patterns from wallpaper and textiles and have been incorporating them into my work since my master's program.

But the difference is that I abstract those images themselves. I rarely just take something that is referential (like a photograph of a flower) and just insert it into my painting whole so that the viewer sees it in its entirety. It doesn't mean I won't some day, but for now I'm more interested in abstracting imagery, which by definition simply means "freedom from inserting representational qualities in art." I manipulate that flower photograph, either by pulling it apart or cutting it up so that there is a familiar reference that you might be able to make out, but at first glance, all you see are colors and shapes. And then usually embed those images into the whole piece so that my mark-making, brush strokes, painterly style is mixed in with that image. That is essentially abstraction. A great example is my Butter Cream (2011) circle painting where I do exactly that with photographs of leaves from a forest. You cannot tell unless you get really up close that those are cut photographs.

Abstract painting strips all imagery down to the essentials: color, form, shape, texture and line. There are as many different types of abstract art as there are people. In the art history context, abstraction includes a much wider definition, again simply art that does not reference the "natural world" around us (representational) but uses color, form, line, shape to depict imagery. It could be sculpture, a multi-media presentation, graphics or even photography. It can be geometric and architectural.

Acrylic, paper mixed media on matte board 9x12

As for my painting, I'm classified within the expressive camp. Oftentimes you might read or hear the term mark-making or painterly mark which means the way in which the paint (or other type of medium) is treated on the surface of the canvas (or wood, or panel or whatever). If it's applied with a brush, it's literally the way the paint is manipulated by the brush on the surface. Abstract Expressionism again directly references Pollock because it is the physicality of the paint with the surface that is the painting. There is nothing else really. Therefore, mark-making is also a broad term that can be applied to how the paint is applied to any surface. For example, it can be poured, pooled, scratched, whipped, thrown, sliced, painted, scraped, wiped, blotted, stamped, finger-printed, basically you name it! The tools used are also very broad, as are indeed the different types of media that is applied. And there are exceptions to this generality of course (that is what the modern and contemporary movements in painting are consistently pushing boundaries of what we expect a painting should look like or be). But for our context, the way that you express yourself through your favorite media on a 2-dimensional surface constitutes your personal style. And it all lives under the umbrella term of freestyle.

So join me in freestyle abstract painting! I would love to get feedback and hear your thoughts.